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Beginners Guide to Digital Photography Studio Lighting
By David Crocombe  |  Submitted On August 03, 2009
Setting up some digital photography studio lighting is easier than you may think. There are a lot of different ways to do this and here are a few ways to help you to get started:
If you are wanting to get into studio/portrait photography but do not want to spend a lot of money initially then you could start with a good basic lighting setup. This would include a background stand, some background paper, at least one 500 or 750 watt light, a light stand, an umbrella and one reflector.
You could get all this for under $300. This setup will get you started and give you enough for some nice basic light in most studios situations.
If you want to go for a strobe, you will need to invest a bit more money. Somewhere in the vicinity of about $3000 can be spent to get two lights, some soft boxes, and the power supplies.
Should you not want to go with hot lights that are constantly on, you could go for a low cost set-up that includes two light stands, two flash/umbrella holders, two Vivitar 285HVs , two sync cords, a sync splitter, a grey card, two softbox umbrellas, and two shoot through umbrellas.
If you hunt around, you can get most of these items second hand on eBay for about $200. Also get a background and you can also do indoor posed shots and portraits.
You will also want to consider getting a hot shoe converter so that you can get the sync cables to hook up.
Setting up digital photography studio lighting doesn't have to cost a lot of money for the first-timer.
It all depends on what you want to do and how you want to do it.
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Hopefully this guide has given you some ideas on how to setup some digital photography studio lighting.
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The Difference Between Studio Lighting Photography and Natural Lighting
By Phil G Town  |  Submitted On September 23, 2009
Lighting is an important element in digital photography. It can literally make or break your pictures. And it can also add to the emotions of the picture by showing details like expressions and feelings of the subject you're taking pictures of. In order to make the best use of lighting, we must try and understand the way studio lighting photography works, as it's a controlled lighting environment.
Light intensity is also commonly known as light strength. It refers to the amount of light that's available. By using lighting in the right way, a particular subject in a photo can be subtly highlighting, calling attention to a particular object or person in the photo. The idea is similar to that of a spot light, but less intense. When we focus on a particular element in the photo, we are able to see much greater detail of the object.
Another important part of lighting is lighting direction. The position of the lights in relation to the person determines what features are to be emphasized. There are three main locations for lighting: from the front, from the back, and from the side. Lighting from the side accentuates certain elements of the person or object in the form of a silhouette. In certain cases, the light source itself may end up being the focal point that is emphasized.
And finally, we have light color. Unless you're dealing only with black and white photography, colors play a crucial role. The colors present may show emphasis on particular objects, express certain moods and emotions, and help to make the photos more enjoyable to the viewer and photographer. From a psychological point of view, colors play a huge role. Depending on the emphasis of colors in a picture, such as green for money and red for anger, you can play to the emotions of your picture viewers.
The best example out in the world that utilizes lighting is still life photography. Because photographers are trying to capture a single moment in time, it's all about focus and waiting for the perfect lighting. Simply by taking different shots, perhaps even seconds apart, you can express different moods and emotions through simple photos of fruits or products. A real world example of this would be online product images. There is considerable time spent to ensure products are seen in the correct "light" and viewed by the customers as beneficial and to enhance the appeal of the product.
This is all done in the hopes that customers that see the image will feel a sense of product practicality, product quality, and for certain purposes, they'll feel a sense of luxury and style. There's a reason why picture taking isn't just as easy as snapping your finger. Light can make a product more appealing, but can also serve the alternate purpose of adding mystery and mystique in a photography to capture the viewers' attention.
So, not to bring up the classic saying in photography, but a picture truly is worth a thousand words. This really does apply to lighting and photography, since natural lighting is just as important as studio lighting and the two are actually related. Both have the ability to capture the emotion of the photographer, but when it comes to using light, every photographer can make it look different, because lighting is dynamic and is never the same twice.
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Studio Lighting: An Introduction For Enthusiastic Amateurs Or Semi-Pros

By Miranda Wilson  |   Submitted On June 27, 2011

Anybody who is serious about indoor photography will eventually want their own studio. This doesn't have to be an elaborate set up; a studio can mean anything from some domestic lamps and a spare bed sheet for the background to the more high tech options rented or owned by serious professionals.

Before any discussion of lighting with flash or studio lights, it is useful to be familiar with the inverse square law. This law states that any object which is double the distance from a point light source (i.e. a flashgun or lamp) will get a quarter of the illumination. What this means to photographers moving a subject from two meters away to four meters away, four times the amount of light will be needed for the same exposure. Either open the lens aperture two f-stops to achieve this, or use a flashgun that gives you four times as much power.

This is because as the beam of light spreads out, as they do, the proportion of light hitting the object is decreased. The greater the beam's focus, the more light will fall on a subject.

When using an automatic flash on a camera you may experience the effect of the inverse square law when you notice that difference in exposure between objects near the camera and those not far behind.

Although continuous light can be used, investing in some studio flash heads is advisable because studio flash heads are much, much more powerful. Even the lower range ones give out more light than the average portable flash, and again much more than any continuous light system. With studio flash heads in use, the light can therefore be controlled creatively with the help of soft boxes and reflectors to minimise shadows and diffuse the light while helping maintain a good exposure at a small aperture. Flash will result in much sharper photographs than those taken with continuous light. The other benefit is that studio flash heads are faster than portable flash systems, enabling the photographer to shoot at a faster rate - which is important for portrait photography.

A diffuser spreads out light and softens it to create less sharp edged shadows. The most commonly used, on account of its portability and versatility is the umbrella, which can be used to shoot through or to reflect light.

Assuming you now have two lights to play with, when lighting a portrait, aim to use one as your main light and the other as a filler. It's worth moving the main light around your subject to see the way the light plays them and to understand how the shadows fall and why. The second light can then be used to soften the shadows that the main light created.

Digital cameras and studio lighting

Article Source: https://EzineArticles.com/expert/Miranda_Wilson/516521

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